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Women Talking 123movies : Women Talking 123movies streaming free to phone, computer, tablet, smart TV, Moving console or other device. Watch Online to US, UK, Canada. 'Women Talking' all kinds of stories traverse the cinema. Although many feature films base their plots on fictional stories, many others are inspired by real events, which makes their approach much more interesting and realistic. That is precisely the intention of the film Women Talking.
Women Talking is based on the novel of the same name by Miriam Toews and was written and directed by Sarah Polley. The film tells the story of a group of women who live in a religious colony in Bolivia and have been victims of a series of sexual abuses by the men who live in the community. All these women will try to reflect on the sufferings they had to live and if they are willing to reconcile with their faith in exchange for forgiving and being able to obtain their freedom.
As its synopsis indicates, Women Talking deals with a complex theme where the characters must account for the harassment. They have suffered for years and from which they cannot escape so easily due to their condition, but also because of their religion.
Due to the rawness and realism that the film addresses, the members of the cast and crew behind the scenes had the presence of a psychologist on the filming set. This was revealed by Claire Foy, the British actress who is part of the drama's cast that will hit theaters in the United States in December.
Foy, who rose to fame for playing Queen Elizabeth II in the first two seasons of The Crown, explained that it's not common to have a psychologist on film shoots. The actress recounted that throughout the filming several of the actresses in the cast and several members of the film crew turned to the professional who was present on the set.
The interpreter revealed that all the cast members got together on one occasion to talk about it. The film and the story they had to tell reflect on the experience of putting themselves in those characters' shoes. Claire stressed that it was a great experience and being able to count on that support network and as a group.
In addition to Claire Foy, the cast includes Rooney Mara. Jessie Buckley, Judith Ivey, Ben Whishaw, Sheila McCarthy, Michelle McLeod, Kate Hallett, Liv McNeil, Emily Mitchell and two-time Oscar winner Frances McDormand.
Women Talking had its premiere at the Telluride Film Festival on September 2. Since then, the film has received very good reviews from specialized critics. The main praise points to the effectiveness of the message that the film seeks to convey, as well as several of the performances, especially those of Buckley and Foy, which makes it one of the possible contenders for the awards season.
The film will have a limited release in some theaters in the United States starting December 23. And then expand to a greater number of theaters on January 6. It also has a release date of February 17 in Spain and March 2 in Argentina. At the moment, it does not have a streaming release date.
The second trailer for Women Talking, a film starring Claire Foy, Rooney Mara, and Jessie Buckley, has arrived. In it, we see his characters debate what they should do after being attacked by men who visited their closed religious community.
The film is directed by Sarah Polley, a filmmaker nominated for an Oscar for Best Adapted Screenplay in 2008 for her movie Away from Her. For Women Talking, Polley adapted with Miriam Toews the novel of the same name that the latter published in 2018.
Four-time Oscar winner Frances McDormand complements the cast. Who also serves as producer and Emmy winner Ben Whishaw.
The film, which has gone through festivals such as Toronto and New York, will hit commercial movie theaters early next year.
The unique afterschool concept is deeply rooted in North American culture, characterized by education. Films designed for a school audience, adolescents, which is about teaching them some important lessons about life. Lessons that change over time. Watching WOMEN TALKING, I couldn't help feeling that I was watching a modernized and arthouse version of that same program. A film designed in a didactic, educational way, correct from a political point of view but practically non-existent from almost all others. Sarah Polley's film is the "afterschool special" of the #MeToo era. It's intended as a lesson on every issue surrounding this moment in the world's cultural zeitgeist.
But it can also be seen as part of another tradition, that of the "politically engaged" theater of the 1930s or 1940s, with works assembled and structured as allegories to represent some important theme of some historical moment. In WOMEN TALKING, there are a series of characters representing different ideas. Generations and attitudes in a purely symbolic place (a "colony") where they have to deal with the brutal male violence that has been inflicted on them for years. The concrete fact is terrible, but Polley uses it as an excuse to raise awareness about something that, by now, almost everyone who sees this film has become aware of.
Everything seems to take place in a religious community that seems to be Mennonite or similar at first glance. Centuries or decades ago, we will soon see that it is not, so a rare phenomenon occurs that the men of the place describe as mystical and fantastic. For several years, women of all ages have waked up, bloodied, beaten, raped, and violated. There seems to be no explanation, and they say it is Satan, some ghost or mythical creature. But quickly in the film, not in the story based on a true event in Bolivia, the women discover that. It is a group of men from the community raping the girls, drugging them with animal tranquilizers, and then escaping without being seen or reported.
Polley quickly and didactically shows that the angry women of the colony are given three options for responding to this aggression. One is to shut up, say nothing, and leave everything as it is. It's another to stay and put up a fight, to fight a macho community where women aren't even allowed to learn to read and write. And the third is to leave all of them, even when it costs them –according to the religion they profess– the entrance to paradise. The women vote and, immediately, the first option loses. But the other two are tied in votes. And eight women must meet in a shed to debate, analyze and discuss what they should do. As they would say in that song by The Clash: should they stay or go?.
And there is a kind of theatrical piece that, due to the slightest visual deviations (towards characters outside the "assembly" or to anecdotes or images from the past). It is presented with an armed format to be taken to a stage with " a great cast» of important actresses. Here the ones that represent the different points of view are three. The main one is Ona (Rooney Mara), whose idea is to stay and try to convince men to change how they treat women. She is about to be a mother; she has a certain romantic interest in August (Ben Whishaw) –who accompanies the women in the room to take note of what they have said since they cannot write– and she has a beatific smile that cannot be erased for a long time. More horror stories are to be told.
Marche (Jessie Buckley) and Salomé (Claire Foy) are more intense. The first want to leave at all costs, tired of dealing with the men of the community and what they have done to her and her family. And the second, equally or angrier, prefers to stay and increase the tension, if necessary, violently. Judith Ivey plays Agata, and Sheila McCarthy plays Greta, two older women and mothers of the three protagonists who try to combine wisdom and some banal anecdotes to make their ideas and experiences known. And Frances McDormand will also pass by, but hers is almost an act of severe presence.
Sarah Polley had not gone behind the cameras since Stories We Tell, an acclaimed documentary that revealed her family's secrets. The actress and director adapt Miriam Toews' novel, a post-#MeToo tale in which a group of women from an isolated religious colony in the middle of Bolivia struggles to reconcile with their faith after a series of assaults.
For years, in the remote Molotschna Mennonite colony, dozens of women have been systematically drugged and raped while they slept. They woke up sore and bleeding. The community insisted that everything was the product of their wild imagination, or perhaps the devil, who punished them for their sins. The rapists, however, were men from the neighborhood: uncles, brothers, or neighbors who finally ended up in prison but who, in just two days, will be released on bail and return home. Eight of these women who suffered abuse and rape are about to meet in secret to make a decision that will determine their future. What should they do? Forgive them, as Bishop Peters asks. Respond to violence with more violence? Or leave forever?.
Many wondered for years why Isabel Coixet's muse had not directed again in 10 years until this year, Sarah Polley revealed that she had suffered a domestic accident -when a fire extinguisher fell on her head while she was exercising in the gym- which left him with serious health consequences.
After recovering, the actress-director teamed up with the producers of Moonlight and 12 Years an enslaved person to adapt a celebrated novel by Miriam Toews published shortly after the birth of the #MeToo movement and loosely inspired by a true event that rocked the Manitoba colony. In 2011, seven men from an ultra-conservative Mennonite community in Bolivia stood trial after being accused of raping 130 women in their homes between 2005 and 2009 after drugging them with animal anesthesia.
Together with The Fabelmans (the film about the life of Steven Spielberg that won at the Toronto Festival) and Almas en banshee in Inisherin (reinforced after leaving Venice with the Volpi Cup for Colin Farrell and the best screenplay award for Martin McDonagh), Women Talking is in the leading group of the race for the Oscar almost three months from the nominations. The reviews have been very positive, although some voices point out that the film is more concerned with the message than the cinematographic issues.
Women Talking is an ensemble film that seeks to capture the reality of women from a community that is oppressed and abused by men in the area. Rooney Mara (Carol) is the only cast member nominated for an Oscar in the lead category for her performance as Ona, a single woman who becomes pregnant after a rape. Claire Foy (Elizabeth II of the first two seasons of The Crown) is Salome, a woman who takes the law into her own hands when she discovers that her daughter has been sexually assaulted. Jessie Buckley (The Dark Daughter) is Marche, a woman trapped in an abusive marriage.
The only leading actor in the cast is Ben Whishaw (the last agent Q of the 007 sagas), in charge of giving life to August, a more open-minded professor who managed to leave the community before it was too late. Rounding out the cast are veterans Sheila McCarthy and Judith Avery as Greta and Agata, the matriarchs of their respective families. McDormand, the film's producer, appears in a supporting role, not in Toews' original story. According to the bets, Buckley, Foy, and Whishaw are the best positioned to receive the Oscar nomination.
Hildur Guðnadóttir, the Oscar-winning composer for Joker, is responsible for the score for Women Talking. The Canadian Luc Montpellier is in charge of a director of photography that some critics have questioned. Sarah Polley has explained that they wanted to portray "a world that had faded into the past" through the film's color grading and saturation levels. At times it seems that Women Talking is shot in black and white, but this is not the case.
Sarah Polley belongs to the caste of great interpreters turned into filmmakers. Her body of work, which includes the film Stories We Tell, from exactly a decade ago, and Far from Her, from 2006, to mention a few of her tapes, show that we are dealing with such an artist with capital letters. And the last work of her behind the cameras, she has shown it once again.
In the remarkable Women Talking, Sarah Polley writes and directs an adaptation of the Miriam Toews novel. It is a gritty story inspired by a real-life mass rape in a Mennonite enclave in Bolivia.
The visual and dramatic genius of Sarah Polley places us in the state of things after the attacks of men against women part of the community. Polley's camera falls on a handful of women of all ages who must deliberate a long and endless day whether to forgive, fight or escape from such a sorry state of affairs.
Almost all the action takes place in a barn, and in this scenario, the women victims discuss, from their illiteracy and constant contempt to which they are subjected by men, the actions to follow after the criminal acts. As it is a Mennonite community, the time has stopped, and there are no signs of the present: no technology or cell phones, and the justice of men boasts of its absence and the divine.
Although it may seem theatrical in some sections, this is one of the tremendous films of the awards season that opens at the end of the year. The reasons? Polley's storytelling prowess as a filmmaker and director is abysmal, and her actresses offer an awesome gallery of performances.
Rooney Mara draws applause as a woman whose pregnancy results from one of the rapes. Claire Foy and Jessie Buckley, each to their record, are extraordinary at playing the kinds of rage that comes from male abuse. And what to say about Sheila McCarthy as one of the also raped mothers and grandmothers who come out of her conformism to the just protest.
Women Talking is an extraordinary film. Each piece of the film is a collective record of the very necessary and still too absent female gaze in the cinema. It is a cry of pain made with the best art that cinema can give. Extraordinary, one of the best of TIFF 2022. The supervising script of the film is the Chilean-Canadian Consuelo Solar.
MGM presents the first trailer for 'Women Talking,' a film adaptation of the non-fiction novel by Miriam Toews published in 2018 that we know in Spain under the title 'They speak' thanks to the publishing house Sexto Piso.
Sarah Polley has been in charge of writing and directing this film, the third as a director after 'Far from her' and 'Take This Waltz' by this actress known for her roles in films such as 'Dawn of the Dead' or 'Splice: Deadly experiment.'
Rooney Mara, Claire Foy, Jessie Buckley, Judith Ivey, Ben Whishaw, and Frances McDormand lead the cast of this production of Hear/Say Productions, Orion Pictures, and Brad Pitt's Plan B that will be released in North American theaters by United Artists Releasing on December 2, in Spain on February 17, 2023, by Universal Pictures.
The actress and director Sarah Polley had ten years without working on a film. Her personal life and an accident that caused her a concussion kept her from the big screen. Well known for being a social activist and a flag for any woman in the industry, it was known that her return would be great. For this, she chose, at the initiative of Frances McDormand, Women Talking, a novel based on the book of the same name by Miriam Toews. A powerful and reflective film that comes from an imaginary female act.
Women Talking (2022). Directed by: Sarah Polley. Screenplay: Sarah Polley (based on the novel by Miriam Toews). Cast: Rooney Mara, Claire Foy, Jessie Buckley, Frances McDormand, Judith Ivey, Emily Mitchell, Liv McNeil, Sheila McCarthy, August Winter, Kira Guloien, and Ben Whishaw, among others. Photography: Luc Montpellier. Editing: Christopher Donaldson, Roslyn Kalloo. Music: Hildur Guðnadóttir. Duration: 1 hour 44 minutes. Our opinion: Good.
Women Talking follows a group of women from a small religious community cut off from society who, fed up with the constant attacks by men (mostly rapes), debate whether they should leave or stay. During several secret meetings, they will discuss and analyze the pros and cons of their decisions. The scenario is built with thoughts about the place of women in the world and the actions they must take. Forgiveness, love, guilt, the common good, revenge, and democracy. All are issues that are addressed very effectively.
The film's biggest success is that without the need for any big explosions or plot twists, it maintains suspense and tone throughout. There is even the conscious decision not to show the physical violence with which these women live. Instead, the camera dedicates minutes to those moments of reality that happen just after the heinous act. Women Talking does not seek to please anyone. There will be more than one who wants to install it as a "feminist pamphlet." The truth is that the film aims to describe what all the women without adequate tools (who could not read or write) needed to express suffer this situation.
After seeing the movie, it is impossible to think of a complete cast. Under an almost theatrical scheme, each actress manages to modulate in their way the suffering and hatred they carry with them. Claire Foy stands out with a furious monologue. Rooney Mara is the film's soul, a broken character who must deny love. Jessie Buckley again shows that she is the actress to watch for this new generation. Judith Ivey and Sheila McCarthy bring serenity and wisdom without leaving memory aside. Ben Whishaw, the only man in the cast, connects well with the story. Even Frances McDormand herself, who has only a few minutes on the screen, invades the entire screen.
Certainly, Women Talking, due to its theatrical character and the way the story flows, can feel slow. But there, in the gatherings, you can see a world encompassing words beyond. There is an idea of what it means to be a woman collectively. It is taking risks for the common good. A leap of faith. Acts like these are the ones that change the world.
